The Beautiful Blonde Liked Emeralds

Louis Kornitzer's book, Gem Trader, is partly autobiographical and partly woven round the lore of pearls. It's educational + explains the distribution chain of gems, as they pass from hand to hand, from miner to cutter, from merchant to millionaire, from courtesan to receiver of stolen goods, shaping human lives as they go + the unique characters in the industry.

(via Gem Trader) Louis Kornitzer writes:

My chance to get away from Vienna came at last when a letter I had written to the head of an important firm of precious stone dealers in London (who was a relation of mine) brought me the welcome offer to join their Paris branch.

I was over the moon. My mother, although she was in great distress at the thought of losing me, refused to stand in my way, and so the great day came when with a good wardrobe, a little money I had saved up and the with the most wonderful plans for the future, I set out for Paris.

At first I was terribly disappointed with the city of whose beauty and charm I had heard and read so much, and during the first weeks I was so despondent that it would not have taken much to lure me back to Vienna.

One of my letters of introduction was a passport to the acquaintance of a certain Monsieur Gotin whom I had met at the home of my principal in Vienna. He was a bachelor in a good position, and my old chief had thought him a good parti for his daughter and had gone to great lengths to entertain him every time he went to Vienna.

It was Monsieur Gotin who first offered to introduce me to the night life of Paris. He would take me to dinner and then on to a show, he said. I was full of anticipation, for I had as yet seen nothing but office, street and boulevard-café life. I soon found that this Monsieur Gotin was a rare hypocrite, a smug fellow who had been lauded by the old gentleman in Vienna as a model of what a God-fearing young man should be. Dinner over, he suggested a visit to the Casino de Paris.

‘I am in your hands, monsieur,’ said I, wondering a little, for I thought it a queer place to be taken to by a model of propriety. The revue which was then being staged had the name of being one of the best of its kind for many seasons, but for all that, most of the audience seemed to be paying no attention whatever to the performance. In fact, the house was divided into two parts: the auditorium and the ‘promenoir’, and of the two the promenoir was the most important, because few of the men to be found there bothered to step beyond it. Instead they sat at small side tables on raised platforms where refreshments were served, and surveyed in comfort the moving crowd of well-groomed men and elegant demimondes who formed the concourse. Buy why should I describe at length what every traveled Englishman and American who has been in Paris probably knows by heart?

Even as a raw youth I, too, had seen painted vice on the trottoirs of Vienna’s mean streets and had fled from it as one flees from the plague. I had encountered it, too, in the fashionable thoroughfares of my home city in more alluring guise, but they were still street women all, to be passed by with disdain and fear if one’s upbringing had been as mine.

But here, openly unashamedly, in full view of many ‘good’ women who had come from all parts of the world to see Paris night life, were men young and old, some so decrepit that they could scarcely walk with aid of two sticks, buzzing around the graceful scented cocottes like bluebottles attracted by a morsel of decaying meat. We joined the promenaders. Monsieur Gotin and I, and I noticed that he had a friendly smile and a wave for several of the ladies who for the moment were seated alone at one or other of the little raised tables. Sometimes he would stop for a moment to exchange badinage with sundry female habituées, and finally he suggested that we, too, should take our seats. He ordered coffee and liqueurs and leaned back at his ease, pointing out to me those among the promenaders who were men of note. To me they all looked alike, personages of importance, well-groomed adventurers, blackguards, guides, pimps and procurers, except that perhaps often the gentlemen looked the least gentlemanly.

The scene was brilliantly lit, the orchestra played ceaselessly, the atmosphere was heavy with a medley of scents. There was a great buzz of voices, much senseless laughter, a gaiety somewhat forced: the picture of Pleasure with a capital P.

The Beautiful Blonde Liked Emeralds (continued)

Heard On The Street

In order to trade effectively, one has to understand that gem/art markets are filled with large number of market participants (with/without knowledge) + hopes + fears + thoughts. It’s the people + their thoughts + their expectations that create sometimes strange behavior + inefficient markets + mispriced gems/art = opportunities to make money.

We Are The Music Makers

A nice poem.

Arthur William Edgar O'Shaughnessy (1844 - 1881): We Are The Music Makers

We are the music-makers,
And we are the dreamers of dreams,
Wandering by lone sea-breakers,
And sitting by desolate streams.
World-losers and world-forsakers,
Upon whom the pale moon gleams;
Yet we are the movers and shakers,
Of the world forever, it seems.

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And o'erthrew them with prophesying
To the old of the new world's worth;
For each age is a dream that is dying,
Or one that is coming to birth.

The Services Imperative

(via Knowledge at Wharton) Stephen Brown + Mary Jo Bitner's views on the future of business services + the impact in the global economy + other viewpoints @ http://knowledge.wpcarey.asu.edu/index.cfm?fa=viewfeature&id=1517

Top 10 Movies 2007

(via Time/Richard Corliss): Top 10 Movies 2007

#1. No Country for Old Men
#2. The Lives of Others
#3. Killer of Sheep
#4. Atonement
#5. Sweeney Todd: The Demon Barber of Fleet Street
#6. Persepolis
#7. No End in Sight
#8. In the Valley of Elah
#9. Waitress
#10. Beowulf

The Fly

The Fly (1986)
Directed by: David Cronenberg
Screenplay: David Cronenberg, George Langelaan, Charles Edward Pogue
Cast: Jeff Goldblum, Geena Davis

(via YouTube): The Fly (1986 Movie Trailer)
http://www.youtube.com/watch?v=F7xoyu08xNE&feature=related

The Fly (1986) - Behind the Scenes_Part 1
http://www.youtube.com/watch?v=p_Knr9GrYbQ

The Fly (1986) - Behind the Scenes_Part 2
http://www.youtube.com/watch?v=7CbMT2v4vV0&feature=related

A unique metamorphosis + love/loss concept + the special effects, I loved it.

That's Amore

Bernard Condon writes about the art of smoking a Cuban stogie + Salvatore Parisi + the Pelo de Oro plant + other viewpoints @ http://www.forbes.com/global/2007/1224/086.html

This comment: 'Smoking a Havana cigar is like having sex with a real woman. If the parallel seems ridiculous, you don't know Havanas--or you don't know real women.'

Brilliant!

The Genetic Esthetic

Barbara Pollack writes about artists using cutting-edge medical technology--from X rays and MRIs to DNA diagnostics--as part of their art-making practices + obtaining images of their insides + pushing the boundaries of self-exposure, subjecting themselves to painful scrutiny on many levels + other viewpoints @ http://www.artnewsonline.com/issues/article.asp?art_id=679