The Exploratorium is the best science museum in the world. Inside there are hundred of exhibits, it's an educational fun house and an experimental laboratory all rolled into one. Explore Virtual Unreality in the Seeing Gallery. Seeing is believing. Don't miss it.
Useful link:
www.exploratorium.edu
Monday, July 14, 2008
Chris Jordan
Chris Jordan is an artist who captures the real world with his camera + the vivid cool visuals are brilliant + the message is clear.
Useful link:
www.chrisjordan.com
Useful link:
www.chrisjordan.com
What The Nose Knows
What the Nose Knows: The Science of Scent in Everyday Life by Avery Gilbert is a fascinating and enlightening book on sense of smell. A definite nose-opener. A must-read.
Useful links:
www.whatthenoseknows.com
www.monell.org
Useful links:
www.whatthenoseknows.com
www.monell.org
Woody Guthrie
Woody Guthrie was an American songwriter and folk musician. Guthrie's musical legacy consists of hundreds of songs, perhaps the best known are 'This Land Is Your Land,' 'If I Had a Hammer,' 'Turn, Turn, Turn.' They are timeless and his spirit lives on.
Useful link:
www.woodyguthrie.org
Useful link:
www.woodyguthrie.org
Sunday, July 13, 2008
Random Thoughts
I'd like to see technology give everyone on earth clean water, electricity and a cell phone.
- Philip Rosedale
Chairman, Linden Lab
- Philip Rosedale
Chairman, Linden Lab
Harley-Davidson Museum
You will find the opening of the Harley-Davidson Museum in Milwaukee, USA, interesting. The museum will have a large gallery that showcases the evolution of its cruiser-class bikes. They are definitely unique piece of art + innovation. Don't miss it!
Useful link:
www.harley-davidson.com
Useful link:
www.harley-davidson.com
Marketplace For Ideas
Andrew Bast's interview with Edward Jung on marketplace of ideas + other viewpoints @ http://www.newsweek.com/id/145772 was brilliant and insightful.
Useful link:
www.intellectualventures.com
We think of an idea as an action that causes a reaction, and that reaction creates products of value.
- Edward Jung
Useful link:
www.intellectualventures.com
We think of an idea as an action that causes a reaction, and that reaction creates products of value.
- Edward Jung
The Fence
The Fence by Andrew Gray is a political thriller set in Johannesburg at the turn of the millennium. Jan Klein is hired by Brano, the world’s biggest diamond company, to investigate the transgressions of their best trader — José Perreira (aka The Fence). Ten years as a legal advisor to the government have hardly prepared Klein for this mission, but his old mentor, the enigmatic general, now head of internal security at Brano, is sure he’s the right man for the job. So Klein sets out for Rundu in Angola with only his Marmite sandwiches for comfort. But this is not the simple mission it, at first, appears to be and Klein is drawn into a world of high politics where outcomes are all that matter. The Fence is an intricate political thriller that offers a chilling portrayal of corporate corruption. Go to www.loot.co.za for further information.
Weather Business
Weather forecast are getting better with refined satellite technology + powerful supercomputers. For businesses, and for individuals, getting better information on weather is very important, especially travel, agriculture and energy firms. The advent of trading of weather derivatives is rather interesting + most weather-derivatives contracts are based on the temperature. WeatherBill and Priceline have launched online ventures tapping into this new market. Caveat! Watch out for weather speculators!
Useful links:
www.weatherbill.com
www.weather.com
www.wmo.int
www.priceline.com
Useful links:
www.weatherbill.com
www.weather.com
www.wmo.int
www.priceline.com
From Prospecting To Selling
Jim Clanin writes:
From prospecting to selling: The life of a gemstone
Conventional mining engineering handbooks and courses have traditionally overlooked mining for gemstones and mineral specimens as an industry. This is mostly due to the fact that in ore mining, blasting is the first step in crushing the rock for processing and extraction of the valuable elements. In gem mining, the rock must be gently taken apart to avoid damaging the material.
Gem and specimen mining are different to all other types of mining. In all the other mining sectors from gold and silver to sand and gravel to oil and gas, there are four phases of mining. The only phase that gem mining has in common with the others is the first phase.
The first phase is prospecting: before any deposit can be assessed and exploited it must be found.
Phase two is exploration: during this phase, the ore deposit is drilled, mapped and sampled to give its overall size, shape, position, value and complexity. The operator will know whether this deposit is going to be profitable one or if it is marginal and the operator should wait until the value of the product gets to the level that a profit can be made.
Phase three is the development phase of the ore deposit. This means excavating haulage tunnels, if it is an underground mine, removing the overburden in surface operations and erecting processing plants to handle and process the material economically.
Phase four is exploitation of the deposit. The ore is mined, removed and process in the processing plant to a saleable form. It is in this phase that the profit is made when the stone is sold on the market.
Sometimes the development and exploitation phases can be carried out concurrently. An example of this could be in sand and gravel operations where the area around the pit develops as the pit expands. But the deposit will have undergone extensive exploration to show it has the necessary quality of material to produce a profit when exploited.
In gem mining the miner explores a deposit while developing (with tunnels or a pit) the structure until he finds something to exploit. He must gently take apart the rock so not to damage the minerals any more than they might already be. The deposit may have outward signs that it may produce minerals or gemstones of value but after some exploration the miner may find nothing valuable.
Useful link:
www.gemstone.org
From prospecting to selling: The life of a gemstone
Conventional mining engineering handbooks and courses have traditionally overlooked mining for gemstones and mineral specimens as an industry. This is mostly due to the fact that in ore mining, blasting is the first step in crushing the rock for processing and extraction of the valuable elements. In gem mining, the rock must be gently taken apart to avoid damaging the material.
Gem and specimen mining are different to all other types of mining. In all the other mining sectors from gold and silver to sand and gravel to oil and gas, there are four phases of mining. The only phase that gem mining has in common with the others is the first phase.
The first phase is prospecting: before any deposit can be assessed and exploited it must be found.
Phase two is exploration: during this phase, the ore deposit is drilled, mapped and sampled to give its overall size, shape, position, value and complexity. The operator will know whether this deposit is going to be profitable one or if it is marginal and the operator should wait until the value of the product gets to the level that a profit can be made.
Phase three is the development phase of the ore deposit. This means excavating haulage tunnels, if it is an underground mine, removing the overburden in surface operations and erecting processing plants to handle and process the material economically.
Phase four is exploitation of the deposit. The ore is mined, removed and process in the processing plant to a saleable form. It is in this phase that the profit is made when the stone is sold on the market.
Sometimes the development and exploitation phases can be carried out concurrently. An example of this could be in sand and gravel operations where the area around the pit develops as the pit expands. But the deposit will have undergone extensive exploration to show it has the necessary quality of material to produce a profit when exploited.
In gem mining the miner explores a deposit while developing (with tunnels or a pit) the structure until he finds something to exploit. He must gently take apart the rock so not to damage the minerals any more than they might already be. The deposit may have outward signs that it may produce minerals or gemstones of value but after some exploration the miner may find nothing valuable.
Useful link:
www.gemstone.org
Oil Sand = Alberta = New Kuwait
John Vidal writes about Alberta's vast oil sands + ecological devastations + the impact + other viewpoints @ http://www.guardian.co.uk/environment/2008/jul/11/fossilfuels.pollution
Useful links:
www.pembina.org
www.albiansands.com
www.shell.ca
www.syncrude.ca
www.suncor.com
Useful links:
www.pembina.org
www.albiansands.com
www.shell.ca
www.syncrude.ca
www.suncor.com
Art In Action
The 31st Art in Action craft festival will be staged in Oxfordshire, UK, from 17 – 20 July, 2008. The festival includes everything, from painting and printmaking to ceramics and textile design. Don't miss it!
Useful link:
www.artinaction.org.uk
Useful link:
www.artinaction.org.uk
Bing Crosby
Bing Crosby was an American popular singer and actor whose career lasted from 1926 until his death in 1977. Everytime I watch a Bing Crosby movie it brings back a wave of nostalgia. I really miss the good old days!
Useful link:
www.bingcrosby.com
Useful link:
www.bingcrosby.com
Saturday, July 12, 2008
Random Thoughts
Biggest Fear: High tech = supersonic speed. Business models = Porsche speed. Organizations = bike speed. Policymaking = snail speed.
- David Bosshart
CEO, Gottlieb Duttweiler Institute
- David Bosshart
CEO, Gottlieb Duttweiler Institute
Nicholas White Update On Jewelry Markets
Nicholas White's analysis on Gitanjali Gems's possible purchase of Whitehall Jewelers @ http://www.glgroup.com/News/Will-Whitehall-Jewelers-be-Acquired-By-Indian-Manufacturer-Gitanjali-Gems--26321.html was interesting because if Gitanjali is able to buy the stores it will represent the beginning of a new era in the US jewelry industry + the question remains if the company has the luster and financial strength to compete with Kay, Zale, Helzberg, Fred Meyer, and discounters like Wal-Mart and grow in India too. Only time will tell.
The Gods That Failed
The Gods That Failed: How Blind Faith in Markets Has Cost Us Our Future by Larry Elliott + Dan Atkinson is an interesting book on current problems, the way money has been created and lent beyond the worth of assets and incomes. And who is to blame for this mess? I think pinning the blame on any one participant isn't fair, they all did it.
Useful link:
www.thegodsthatfailed.co.uk
Useful link:
www.thegodsthatfailed.co.uk
Dabbawalas
Economist writes about dabbawalas, their strong teamwork, strict time-management + analytic models, technology, efficient business practices vs human and social ingenuity + other viewpoints @ http://www.economist.com/business/displayStory.cfm?source=hptextfeature&story_id=11707779
Useful link:
www.mydabbawala.com
Useful link:
www.mydabbawala.com
Maurice de Vlaminck
Souren Melikian writes about Vlaminck + leaders of the Fauve movement + other viewpoints @ http://www.iht.com/articles/2008/07/12/arts/melik12.php
Useful links:
www.von-der-heydt-museum.de
www.museeduluxembourg.fr
www.wadsworthatheneum.org
Useful links:
www.von-der-heydt-museum.de
www.museeduluxembourg.fr
www.wadsworthatheneum.org
Modern Pakistani Art
Ilyas Khan writes about Pakistan's increasingly speculative art market + the beneficiaries + other viewpoints @ http://news.bbc.co.uk/2/hi/south_asia/7478109.stm
Art Galleries in Pakistan
- ART AGENCY
Shop #3, 11-C, Stadium Lane 4 Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 584-4325
- ART EMPORIUM
Shop #4, 45-C, 27th Street, Tauheed Commercial Area, Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 583-8563
- ART SCENE
28-C, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A. Karachi, Pakistan.
Tel: (92-21) 585-6703, 584-3961
- ARTASTE GALLERY
#4, Jason Centre, BC-8 Block 9, Clifton, Karachi, Pakistan.
Tel: (92-21) 586-3742, 586-3837
- AVENUE ART CAFE
33-C, 6th Commercial Lane, Zamzama Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 582-3972, 583-0983
- CANVAS ART GALLERY
A-3 Hassan Homes, Block 5, Clifton, Clifton Road, Karachi, Pakistan.
Tel: (92-21) 583-8563
- CLIFTON ART GALLERY
11, Al-Habib Apartment, Clifton Road, Karachi, Pakistan.
Tel: (92-21) 587-5827
- DREAM ART GALLERY
34-D, Ground Floor, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 584-4109
- EYE FOR ART
22-C/2, 6th Commercial Lane, Zamzama Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 537-8368
- FRAMER
15-C, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 534-1653, 585-6703
- FRAMES ENFRAMED
Shop No. 10, BC-4 & 5 Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-0477, 587-2026
- GULMOHAR ART GALLERY
D-128, KDA, Karachi, Pakistan.
Tel: (92-21) 438-5440
- IMAGE
D/17, Block 8, Chaudhary Khaliq-uz-Zaman Road, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-3751, 537-3752
- LOUVRE ART GALLERY
9 Pearl Haven, Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 587-2126
- MASTER ART GALLERY
7, Habib Center, FL 5 Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-9919, 587-2700
- REEVAJ
Park Towers, Ground Floor, Shahrah-e-Firdousi, Clifton, Karachi, Pakistan.
Tel: (92-21) 583-2525 Ext.133
- SADEQUAIN GALERIE
Frere Hall, Bagh-e-Jinnah, Karachi, Pakistan.
Tel: (92-21) 920-4325
- SHAKIL ISMAIL ART GALLERY
DC-1, No. 3, Ground Floor, Marine Point, Block 9, Clifton, Karachi, Pakistan.
Tel: (92-21) 530-9040
- VISION
45-C, 27th Street, Tauheed Commercial Area, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 530-4256
- ZENAINI
#1, 5-C, 34th Commercial Street, Tauheed Commercial Area, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 587-3944, 536-2749
Art Galleries in Pakistan
- ART AGENCY
Shop #3, 11-C, Stadium Lane 4 Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 584-4325
- ART EMPORIUM
Shop #4, 45-C, 27th Street, Tauheed Commercial Area, Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 583-8563
- ART SCENE
28-C, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A. Karachi, Pakistan.
Tel: (92-21) 585-6703, 584-3961
- ARTASTE GALLERY
#4, Jason Centre, BC-8 Block 9, Clifton, Karachi, Pakistan.
Tel: (92-21) 586-3742, 586-3837
- AVENUE ART CAFE
33-C, 6th Commercial Lane, Zamzama Phase 5, D.H.A.Karachi, Pakistan.
Tel: (92-21) 582-3972, 583-0983
- CANVAS ART GALLERY
A-3 Hassan Homes, Block 5, Clifton, Clifton Road, Karachi, Pakistan.
Tel: (92-21) 583-8563
- CLIFTON ART GALLERY
11, Al-Habib Apartment, Clifton Road, Karachi, Pakistan.
Tel: (92-21) 587-5827
- DREAM ART GALLERY
34-D, Ground Floor, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 584-4109
- EYE FOR ART
22-C/2, 6th Commercial Lane, Zamzama Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 537-8368
- FRAMER
15-C, Stadium Lane, 1 Khayaban-e-Shamsheer, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 534-1653, 585-6703
- FRAMES ENFRAMED
Shop No. 10, BC-4 & 5 Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-0477, 587-2026
- GULMOHAR ART GALLERY
D-128, KDA, Karachi, Pakistan.
Tel: (92-21) 438-5440
- IMAGE
D/17, Block 8, Chaudhary Khaliq-uz-Zaman Road, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-3751, 537-3752
- LOUVRE ART GALLERY
9 Pearl Haven, Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 587-2126
- MASTER ART GALLERY
7, Habib Center, FL 5 Block 5, Clifton, Karachi, Pakistan.
Tel: (92-21) 537-9919, 587-2700
- REEVAJ
Park Towers, Ground Floor, Shahrah-e-Firdousi, Clifton, Karachi, Pakistan.
Tel: (92-21) 583-2525 Ext.133
- SADEQUAIN GALERIE
Frere Hall, Bagh-e-Jinnah, Karachi, Pakistan.
Tel: (92-21) 920-4325
- SHAKIL ISMAIL ART GALLERY
DC-1, No. 3, Ground Floor, Marine Point, Block 9, Clifton, Karachi, Pakistan.
Tel: (92-21) 530-9040
- VISION
45-C, 27th Street, Tauheed Commercial Area, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 530-4256
- ZENAINI
#1, 5-C, 34th Commercial Street, Tauheed Commercial Area, Phase 5, D.H.A, Karachi, Pakistan.
Tel: (92-21) 587-3944, 536-2749
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