(via The Outline of Art) William Orpen writes:
It was in 1517 that Martin Luther sounded the tocsin for the Reformation by nailing his ninety five theses on the nature of papal indulgences to the great door of the Church of Wittemberg. It was in the following year that Durer received kindness and attention from his imperial patron, the Catholic prince Maximilian I. The artist was in a difficult position, but though he took no definite side in the great controversy which ensued, his sympathy with the Reformers is shown in this picture by the fact that each of the four Apostles is holding and studying a Bible. It is significant to note that this painting was not a commission, but was painted by Durer to please himself and for presentation to the city of his birth. Here is the letter which accompanied the gift to the Council of Nuremberg:
Prudent, honorable, wise, dear Masters, I have been intending, for a long time past, to show my respect for your Wisdoms by the presentation of some humble picture of mine as a remembrance, but I have been prevented from so doing by the imperfection and insignificance of my works, for I felt that with such i could not stand well before your Wisdoms. Now, however, that I have just painted a panel upon which I have bestowed more trouble than on any other painting, I considered none more worthy to keep it as a remembrance than your Wisdoms.
Therefore, I present it to your Wisdoms with the humble and urgent prayer that you will favorably and graciously receive it, and will be and continue, as I have ever found you, my kind and dear Masters.
Thus shall I be diligent to serve your Wisdoms in all humility.
Possibly it was a remembrance of this picture in particular which prompted Luther, in his consolatory letter to the artist’s friend Pirkheimer, to pen this memorable epitaph on Albert Durer:
It is well for pious man to mourn the best of men, but you should call him happy, for Christ illuminated him and called him away in a good hour from the tempests and, possibly, yet more stormy times: so that he, who was worthy only to see the best, might not be compelled to see the worst.
The Dawn Of The Reformation (continued)
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