The Beauty Of Inclusions

The god fathers of gemstone inclusions shares their passion + the inner gemscapes of colored stones in colorful language (s).

Edward Gubelin / John Koivula writes:

The world of human conception is predominantly one of vision, and thus a world of light, color and form—all three phenomenological expressions of inclusions in gemstones. Their liveliness, their transitory play of light, meets not merely with the commonsense of beauty; they are even a functional necessity to human beings. Color is the most beautiful manifestation of light; the ornamentation of one of the most perceptible displays of the material world, through both one experiences a beguiling feast for the eyes when admiring inclusions.

Light is nowadays only rarely the photosphere which, bordered by darkness, verifies itself with even more intensive radiation. Everything around us is so illuminated—with the touch of a switch all becomes shadowlessly bright—that for sheer brightness we are no longer susceptible to light. Not so the illumination of inclusions in gemstones. Here a light goes on, and one experiences ethereal hours of sublime perception, amazement and interminable fascination.

Herein lie the glorious colors of contrasts, the rich light of internal reflections, the deeply impressive designs of patterns—massed apparitions of beauty—arrayed enlarged before us beneath the microscope, and one feels transported to another world of light. Whatsover quickens the human heart; the colors of flowers, the glistening plumage of the Hummingbird, the shimmering velvet of the butterfly’s wing, the sparkle of the morning dew, the radiating expressions of a beloved eye—all find their equivalence in gemstone inclusions; for these lend their unvarying, stately character to their costly encasement. Certainly they are flowers without scent, waters without eddies, gardens without movement or change, butterflies without life—shimmering treasures of an established, petrified, mystical world. And yet not an inhuman world; for it must be considered that human beings are necessary to treasure and admire.

The artistic arrangements within gemstones are, thanks to their well-balanced elegance, not only indestructible fountains of amazement and delight, but, in their multiplicity, witnesses to the creative versatility of nature. Her innovations are inexhaustible and fantastic. Finding a satisfactory solution to a certain problem, she rest not with self-satisfaction, simply spreading her invention worldwide. Instead she seems intent on demonstrating that this same problem can be solved just as excellently in many other ways with charm and artistic perfection. The outer shells, which nature has developed to protect her various creations, are astonishingly well-suited to the external conditions. Supple fish have their scales, birds their feathers, soft creatures their shells, wild animals their pelts, and inclusions—the eloquent witnesses of terrestrial history—their inert, imperishable showcase—the costly gemstone.

We gemologists have often been accused of spiriting away the nimbus of gemstones with our instruments. This criticism is unjustified, for we have opened up a magic world to the professional and layman which they could never have entered without gemological microscopy.